Dracula: Difference between revisions
(Returning) |
(Found another article on the 2010 shows.) |
||
| Line 6: | Line 6: | ||
Chapman danced the lead role in the premiere, with Van Fleterer playing the scene-stealing lunatic Renfield. Original sets were designed by [[Douglas Stewart]] and costumes by [[Sally Schissler]]. | Chapman danced the lead role in the premiere, with Van Fleterer playing the scene-stealing lunatic Renfield. Original sets were designed by [[Douglas Stewart]] and costumes by [[Sally Schissler]]. | ||
The ballet was revived on October 13, [[2006]] at [[Samford University]]'s [[Wright Center]] with [[Kyle Seguin]] as Dracula and Brazilian [[Mark Asturias]] debuting with the company in the role of Renfield. [[David Bauser]] alternated in that plum role during the show's run. Helms again played the organ score, this time with recorded orchestra and piano accompaniment. | The ballet was revived on [[October 13]], [[2006]] at [[Samford University]]'s [[Wright Center]] with [[Kyle Seguin]] as Dracula and Brazilian [[Mark Asturias]] debuting with the company in the role of Renfield. [[David Bauser]] alternated in that plum role during the show's run. Helms again played the organ score, this time with recorded orchestra and piano accompaniment. | ||
The Alabama Ballet performed the ballet back at the Alabama Theatre, where it originally debuted, for two performances | The Alabama Ballet performed the ballet back at the Alabama Theatre, where it originally debuted, for two performances, on [[October 28]] & [[October 31|31]], [[2010]]. This time Dracula was played by Republic of Georgia native [[Nukri Mamistvalov]]. The Alabama Ballet donated one-third of all proceeds from ticket sales to the [[Leukemia and Lymphoma Society of Alabama]]. | ||
Other ballet versions of the Dracula story date back to Laslo Szilagyi's ''Prince des tenebres'' at the Budapest Opera in 1899. Other notable versions include one by Katherine Litz with music by Charles Ives in 1959, and one incorporating African dancers and drummers choreographed by Kim Tuttle in 1992. | Other ballet versions of the Dracula story date back to Laslo Szilagyi's ''Prince des tenebres'' at the Budapest Opera in 1899. Other notable versions include one by Katherine Litz with music by Charles Ives in 1959, and one incorporating African dancers and drummers choreographed by Kim Tuttle in 1992. | ||
==References== | ==References== | ||
* Huebner, Michael (October 8, 2006) "Alabama Ballet brings 'Dracula' back from the undead." | * Huebner, Michael. (October 8, 2006). "Alabama Ballet brings 'Dracula' back from the undead." {{BN}}. | ||
* Huebner, Michael (October 14, 2006) "'Dracula' a lively repertoire, but not ballet's best." | * Huebner, Michael. (October 14, 2006). "'Dracula' a lively repertoire, but not ballet's best." {{BN}}. | ||
* Huebner, Michael (June 13, 2010). "[http://blog.al.com/mhuebner/2010/06/alabama_ballet_to_expands_its.html Alabama Ballet to expand its reach in 2010-11]." ''Birmingham | * Huebner, Michael. (June 13, 2010). "[http://blog.al.com/mhuebner/2010/06/alabama_ballet_to_expands_its.html Alabama Ballet to expand its reach in 2010-11]." {{BN}}. | ||
* Jaffe, Dana. (October 28, 2010). "Bloody grace." ''Birmingham Weekly''. | |||
[[Category:Alabama Ballet]] | [[Category:Alabama Ballet]] | ||
[[Category:1997 works]] | [[Category:1997 works]] | ||
Latest revision as of 16:47, 16 November 2012
Dracula is an original ballet, based on Bram Stoker's 1897 vampire novel Dracula, and choreographed by Wes Chapman and Roger Van Fleteren for the Alabama Ballet. The work debuted in October 1997 at the Alabama Theatre.
The Ballet commissioned an original score, by Pensacola organist and composer Thomas Helms. Helms wrote the score for Dracula specifically for the "Big Bertha" Mighty Wurlitzer organ at the Alabama. He has also performed his work at each of the Ballet's performances, including those at Montgomery's Davis Theater following its sold-out Birmingham debut. It was restaged the following year to smaller crowds.
Chapman danced the lead role in the premiere, with Van Fleterer playing the scene-stealing lunatic Renfield. Original sets were designed by Douglas Stewart and costumes by Sally Schissler.
The ballet was revived on October 13, 2006 at Samford University's Wright Center with Kyle Seguin as Dracula and Brazilian Mark Asturias debuting with the company in the role of Renfield. David Bauser alternated in that plum role during the show's run. Helms again played the organ score, this time with recorded orchestra and piano accompaniment.
The Alabama Ballet performed the ballet back at the Alabama Theatre, where it originally debuted, for two performances, on October 28 & 31, 2010. This time Dracula was played by Republic of Georgia native Nukri Mamistvalov. The Alabama Ballet donated one-third of all proceeds from ticket sales to the Leukemia and Lymphoma Society of Alabama.
Other ballet versions of the Dracula story date back to Laslo Szilagyi's Prince des tenebres at the Budapest Opera in 1899. Other notable versions include one by Katherine Litz with music by Charles Ives in 1959, and one incorporating African dancers and drummers choreographed by Kim Tuttle in 1992.
References
- Huebner, Michael. (October 8, 2006). "Alabama Ballet brings 'Dracula' back from the undead." The Birmingham News.
- Huebner, Michael. (October 14, 2006). "'Dracula' a lively repertoire, but not ballet's best." The Birmingham News.
- Huebner, Michael. (June 13, 2010). "Alabama Ballet to expand its reach in 2010-11." The Birmingham News.
- Jaffe, Dana. (October 28, 2010). "Bloody grace." Birmingham Weekly.