Lucille Bogan: Difference between revisions
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'''Lucille Anderson Bogan''', sometimes known as '''Bessie Jackson''' (born [[April 1]], [[1897]] in Amory, Mississippi; died [[August 10]], [[1948]] in Los Angeles, California) was one of the first female singers to record Blues music. | '''Lucille Anderson Bogan''', sometimes known as '''Bessie Jackson''' (born [[April 1]], [[1897]] in Amory, Mississippi; died [[August 10]], [[1948]] in Los Angeles, California) was one of the first female singers to record Blues music. | ||
Though born in Mississippi, Lucille was raised in [[Birmingham]]. In [[1914]], she married [[Nazareth Bogan, Sr|Nazareth Lee Bogan]], a | Though born in Mississippi, Lucille was raised in [[Birmingham]]. In [[1914]], she married [[Nazareth Bogan, Sr|Nazareth Lee Bogan]], a railway fireman with a daughter by his first wife, Estelle, and gave birth to a son, [[Nazareth Bogan|Nazareth Jr]], in [[1916]]. | ||
At some point Lucille began performing in juke joints, roadhouses and the Vaudeville circuit. In June [[1923]] she made her first recordings of Vaudeville songs for Okeh Records in New York, New York with pianist Henry C. Callens. Later that year, she recorded "Pawn Shop Blues" in Atlanta, Georgia with Eddie Heywood on piano. | |||
After that session, Bogan returned to Birmingham and focused on managing her son's jazz ensemble, [[Bogan's Birmingham Busters]]. Following her divorce from Nazareth Sr, Lucille | Back in Birmingham, Bogan approached [[Harry Charles]] about recording again. In [[1927]] he accompanied her and pianist [[Alex Channey]] to Chicago to record for Paramount Records. Her first big hit, "Sweet Petunia", came from that session. She also recorded for Paramount with Chicago pianist Will Ezell and with Papa Charlie Jackson that year. Her reputed affair with Ezell led her husband to file divorce papers, but the matter was not finalized until December [[1941]]. She settled in Chicago with her son and recorded for the Brunswick label in [[1928]] -[[1930|30]] with Tampa Red and Cow Cow Davenport. | ||
Bogan's songs became progressively bawdier and by [[1930]], she was known for songs like "Sloppy Drunk Blues", "Alley Boogie", and "Black Angel Blues" with explicit references to drunkenness, prostitution and homosexuality. In [[1932]], after Memphis Minnie's hit cover of "Tricks' Ain't Walkin' No More" Brunswick reissued some of her 1928 singles under the name "Bessie Jackson". She adopted the pseudonym and recorded over 100 tracks for Banner Records beginning in [[1933]], often accompanied by fellow Birminghamians [[Walter Roland]] on piano and [[Sonny Scott]] on guitar. She also collaborated with them on a few [[Jolly Jivers]] recordings. Bogan's most popular hits from that period included "Seaboard Blues", "Troubled Mind" and "Superstitious Blues". Her final recordings were made on [[March 5]], [[1935]], including a notoriously uncensored take of "Shave 'Em Dry" accompanied by Roland and Josh White. | |||
After that session, Bogan returned to Birmingham and focused on managing her son's jazz ensemble, [[Bogan's Birmingham Busters]]. She reportedly recorded additional songs in Birmingham which have been lost to history. Following her eventual divorce from Nazareth Sr, Lucille took up with the much-younger James Spencer, becoming his common law wife. She moved to Los Angeles, California in [[1948]] and died that same year of coronary sclerosis. She is buried at Lincoln Memorial Park in Compton, California. | |||
==References== | ==References== | ||
* Hawkings, Walter (1994) "Lucille Bogan" in ''African American Biographies'', p. 481 | |||
* Russell, Tony (1997) ''The Blues: From Robert Johnson to Robert Cray''. Dubai: Carlton Books Ltd, p. 94 ISBN 185868255X | * Russell, Tony (1997) ''The Blues: From Robert Johnson to Robert Cray''. Dubai: Carlton Books Ltd, p. 94 ISBN 185868255X | ||
==External links== | ==External links== | ||
* [http://www.deltahaze.com/LucilleBogan.html Lucille Bogan] at DeltaHaze.com | |||
* [http://www.allmusic.com/artist/p280/biography Lucille Bogan] at AllMusic.com | * [http://www.allmusic.com/artist/p280/biography Lucille Bogan] at AllMusic.com | ||
* [http://www.redhotjazz.com/bogan.html Lucille Bogan | * [http://www.redhotjazz.com/bogan.html Lucille Bogan] discography at redhotjazz.com | ||
* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=7636926 Lucille Bogan] at Find-A-Grave | * [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=7636926 Lucille Bogan] at Find-A-Grave | ||
* [http://www.youtube.com/watch?v=2ko2VXpW7_g "Shave 'Em Dry]" on YouTube.com (explicit lyrics) | |||
{{DEFAULTSORT:Bogan, Lucille}} | {{DEFAULTSORT:Bogan, Lucille}} | ||
Latest revision as of 18:52, 9 October 2013
Lucille Anderson Bogan, sometimes known as Bessie Jackson (born April 1, 1897 in Amory, Mississippi; died August 10, 1948 in Los Angeles, California) was one of the first female singers to record Blues music.
Though born in Mississippi, Lucille was raised in Birmingham. In 1914, she married Nazareth Lee Bogan, a railway fireman with a daughter by his first wife, Estelle, and gave birth to a son, Nazareth Jr, in 1916.
At some point Lucille began performing in juke joints, roadhouses and the Vaudeville circuit. In June 1923 she made her first recordings of Vaudeville songs for Okeh Records in New York, New York with pianist Henry C. Callens. Later that year, she recorded "Pawn Shop Blues" in Atlanta, Georgia with Eddie Heywood on piano.
Back in Birmingham, Bogan approached Harry Charles about recording again. In 1927 he accompanied her and pianist Alex Channey to Chicago to record for Paramount Records. Her first big hit, "Sweet Petunia", came from that session. She also recorded for Paramount with Chicago pianist Will Ezell and with Papa Charlie Jackson that year. Her reputed affair with Ezell led her husband to file divorce papers, but the matter was not finalized until December 1941. She settled in Chicago with her son and recorded for the Brunswick label in 1928 -30 with Tampa Red and Cow Cow Davenport.
Bogan's songs became progressively bawdier and by 1930, she was known for songs like "Sloppy Drunk Blues", "Alley Boogie", and "Black Angel Blues" with explicit references to drunkenness, prostitution and homosexuality. In 1932, after Memphis Minnie's hit cover of "Tricks' Ain't Walkin' No More" Brunswick reissued some of her 1928 singles under the name "Bessie Jackson". She adopted the pseudonym and recorded over 100 tracks for Banner Records beginning in 1933, often accompanied by fellow Birminghamians Walter Roland on piano and Sonny Scott on guitar. She also collaborated with them on a few Jolly Jivers recordings. Bogan's most popular hits from that period included "Seaboard Blues", "Troubled Mind" and "Superstitious Blues". Her final recordings were made on March 5, 1935, including a notoriously uncensored take of "Shave 'Em Dry" accompanied by Roland and Josh White.
After that session, Bogan returned to Birmingham and focused on managing her son's jazz ensemble, Bogan's Birmingham Busters. She reportedly recorded additional songs in Birmingham which have been lost to history. Following her eventual divorce from Nazareth Sr, Lucille took up with the much-younger James Spencer, becoming his common law wife. She moved to Los Angeles, California in 1948 and died that same year of coronary sclerosis. She is buried at Lincoln Memorial Park in Compton, California.
References
- Hawkings, Walter (1994) "Lucille Bogan" in African American Biographies, p. 481
- Russell, Tony (1997) The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books Ltd, p. 94 ISBN 185868255X
External links
- Lucille Bogan at DeltaHaze.com
- Lucille Bogan at AllMusic.com
- Lucille Bogan discography at redhotjazz.com
- Lucille Bogan at Find-A-Grave
- "Shave 'Em Dry" on YouTube.com (explicit lyrics)