William Leslie Welton

William Leslie Welton (born 1874 in Nebraska; died 1934) was an architect active in Birmingham during its boom years at the beginning of the 20th century.

Welton trained at the Massachusetts Institute of Technology under Constant-Désiré Despradelles, and began his apprenticeship in architecture in 1892 in Lynn, Massachusetts. In 1899 he joined the firm of Parker, Thomas and Rice in Boston and continued to study classical design and drawing in ateliers of the Boston Society of Architects and Boston Architectural Club. He received a Rotch Travelling Scholarship to the École des Beaux-Arts in Paris in 1900. When he returned, he joined the prominent New York City firm of McKim, Meade & White, where he met William Warren and formed a partnership with him.

Before moving to Birmingham in 1907 Warren and Welton had already solicited for work in the rapidly-growing city. Their physical relocation was probably made possible by the commission for the 16-story Empire Building, a design originally conceived by J. E. R. Carpenter of the New York firm of Carpenter and Blair, but carried out with the younger architects on-site. They opened their own office in the building after it was completed in 1909 and began receiving other commissions, such as the Boy's Industrial School and Chamber of Commerce Building, along with several residences and interiors.

The partnership split in 1910, with Warren finding Welton's aggressiveness in marketing his services to be unpalatable. Welton established his own offices in the Empire Building. He was soon employed by the Tennessee Coal, Iron and Railroad Company to develop prototype housing designs for its planned industrial city of Corey (now Fairfield). Other examples of his early solo work include the store and café for J. R. Brown in the Empire Building and the Stanford Store. He also designed residences for David Roberts's widow on Altamont Road and for G. J. Robertson on 41st Street South.

Soon Welton was employed in a series of high-profile collaborations on landmark downtown buildings. He worked with the New York firm of Mowbray & Uffinger on the design of the American Trust and Savings Bank Building, completed in 1912, with William Stoddard on the Tutwiler Hotel, and with J. E. R. Carpenter on the Ridgely Apartments, both of which opened in 1914. He also designed the Rialto Theatre, which opened in 1916.

By then, Welton was leading his own atelier, entitled the Society of Beaux-Arts Architects at his new offices in the American Trust and Savings Bank Building. Other than the newly-started program in architecture at the Alabama Polytechnic Institute in Auburn, his was the only formal architectural education available to students in Alabama.

Later in his career, Welton designed the masterfully-composed Bankers Bond Building of 1920. In 1925 his career reached another peak with nearly simultaneous commissions for the Jackson Building, the Massey Building, an educational wing for South Highland Presbyterian Church, and the circular Roman-temple styled Vestavia estate for former mayor George Ward, all completed in 1925. The next year he completed the more modest BEBCO Building.

References

• American Illustrating Company (c. 1911) Pen and Sunlight Sketches of Greater Birmingham. Birmingham. p. 156
• Levy, Florence N., editor (1917) American Art Annual. Vol. 14. Washington D. C.: American Federation of Arts. p. 284
• Satterfield, Carolyn Green. (1976) Historic Sites of Jefferson County, Alabama. Prepared for the Jefferson County Historical Commission. Birmingham: Gray Printing Co.
• Alexander, James Rodger. (1986) Terra Cotta Facades of Birmingham Architecture. Exhibition catalog. Birmingham: UAB Visual Arts Gallery.
• Fazio, Michael W. (2010) Landscape of Transformations: Architecture and Birmingham, Alabama. Knoxville, Tennessee: University of Tennessee Press ISBN 9781572336872